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Die vier Gauner Eddy, Tom, Bacon und Soap haben Pfund aufgetrieben und glauben, bei einer illegalen Pokerrunde das große Geld machen zu können. Obwohl Eddy als ausgebuffter Spieler gilt, ist er den Tricks der anderen Spieler keineswegs. Der englische Titel Lock, Stock and Two Smoking Barrels (wortwörtlich: Schloss, Schaft und zwei rauchende Läufe) ist eine Anspielung auf die Redewendung. Lock, Stock And Two Smoking Barrels - Various: rharzefc.site: Musik. Lock, Stock, and Two Smoking Barrels. ()IMDb 8,21 Std. 46 MinX-Ray Nach einem getürkten Kartenspiel stehen ein paar Kleinganoven tief in der. Shop Lock, Stock And Two Smoking Barrels [Blu-ray] [Region Free]. Everyday low prices and free delivery on eligible orders.
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Four Jack-the-lads find themselves heavily - seriously heavily - in debt to an East End hard man and his enforcers after a crooked card game.
Overhearing their neighbours in the next flat plotting to hold up a group of out-of-their-depth drug growers, our heros decide to stitch up the robbers in turn.
In a way the confusion really starts when a pair of antique double-barrelled shotguns go missing in a completely different scam. Written by Anonymous.
The film is quite violent, both on and off screen, but it's also uniformly humorous throughout. It's important to note that the four central characters a cook, a card sharp, and a couple of guys who sell "discounted" items are interested only in acquiring the money to pay off their enormous debt; they kill no one.
The same applies to the laid-back college boys who "grow copious amounts of ganja". The cast is comprised of mostly young, veteran, male actors.
In fact, the only female in the film doesn't even speak, though she handles a machine gun fairly well. Sting appears briefly in several scenes as a bar-owning father figure.
While his secondary performance is solid, as usual, it is also unmemorable. The soundtrack is first-rate, from the 60's hits of James Brown to the contemporary beats of London's underground.
The groovy, pulsating music and lyrics are often succinctly synchronized with the action and dialogue in the film, creating a theatrical rhythm that is fairly uncommon in cinema from any period.
Critics and audiences over the years have often dismissed stylized camera work as pretentious and unnecessary, stating that it detracts from the story, bogs it down, or pads it; however, the film medium has the luxury of actually "displaying" a story for its audience, unlike the written word alone.
Hence, one of the reasons a filmmaker chooses such visual displays is to "brand" his or her work, in the same way as writers like Cummings, Hemingway or Joyce did with their medium.
It's hard to imagine a cinema without Hitchcock, Kubrick, or Scorsese to represent it. To this end, Ritchie has taken his first step in establishing his own brand.
His energetic, ultra-contemporary camera work incorporates through a fresh perspective such devices as slow motion, fast motion, and freeze-frame coupled with narration.
It is at times reminiscent of and actually expands upon Martin Scorsese's patented visual stylistics and camera movements, like those found in 'Mean Streets' and 'Goodfellas'.
But the similarities with Scorsese's work end there. Critics' endless comparisons of Ritchie's film with the works of Quentin Tarantino and Danny Boyle's 'Trainspotting' stand mostly unwarranted, as these comparisons take away from the inventiveness and originality of 'Lock, Stock and Two Smoking Barrels'.
Ritchie's film is a much more involved, complex, layered work than the aforementioned comparisons. While Tarantino's films are very strong on dialogue, screenplay, and editing, they often lack creative camera work and direction.
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A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Director: Guy Ritchie. Writer: Guy Ritchie. Added to Watchlist. From metacritic. Watch the New Teaser for 'The Batman'.
Our Favorite '90s Movie Soundtracks. Arjun Kapoor's Watchlist. Best of And they're armed …. Eddie: Er, bad breath, colourful language, feather duster … what do you think they're gonna be armed with?
Soap: Guns? You never said anything about guns. A minute ago this was the safest job in the world. Now it's turning into a bad day in Bosnia!
Soap: Carrying them? Well, they could all be carrying them for what we know! Eddie: No. Only one of them carries them going to the job, so I assume the same one will be carrying them when they come back from the job.
Soap: Oh, you assume, do you? And what did they say about assumptions being the brother of all fuck-ups? Soap: Well, brother, mother, or any other sucker!
It don't make any difference. They're still fucking guns, and they still fire fucking bullets! Tom: No, it's not normal weed.
It's some fucked-up skunk, class A, I-can't-think-let-alone-move shit. Tom: Well, neither me. But it depends what flicks your switch. And the light is on and burning brightly for the masses.
Anyway, do you know anyone? Tom: Well, never mind that. I'm gonna need some artillery too, couple of sawn-off shot-guns. Nick the Greek: This is a bit heavy.
This is London, not the Lebanon. Who do you think I am? Soap: If you think I'm gonna turn up there clean-shaven and greet them with a grin on my face, you've got another thing coming!
Now, these fellas, they are your neighbors. I thought it might be a good idea to disguise ourselves a little! Soap: [pulls a bundle from his coat and unrolls it, revealing large knives] These.
Eddie: Jesus! Couldn't you get anything bigger? Soap: [pulls a big ass machete from his trousers] What, like that? What do you think?
Soap: Drachmas, I hope. I'd feel safer with a chicken drumstick. These are gonna do more harm than good. I can't see a bloody thi— ah!
I've been shot. TV Shows. Cockney boys Tom, Soap, Eddie, and Bacon are in a bind; they owe seedy criminal and porn king "Hatchet" Harry a sizable amount of cash after Eddie loses half a million in a rigged game of poker.
Hot on their tails is a thug named Big Chris who intends to send them all to the hospital if they don't come up with the cash in the allotted time.
Add into the mix an incompetent set of ganja cultivators, two dimwitted robbers, a "madman" with an afro, and a ruthless band of drug dealers and you have an astonishing movie called Lock, Stock and Two Smoking Barrels.
Before the boys can blink, they are caught up in a labyrinth of double-crosses that lead to a multitude of dead bodies, copious amounts of drugs, and two antique rifles.
Although some comparisons were drawn between Ritchie and Quentin Tarantino, it would be unfair to discount the brilliant wit of the story and the innovative camerawork that the director brings to his debut feature.
Not since The Krays has there been such an accurate depiction of the East End and its more colorful characters. Indicative of the social stratosphere in London, Ritchie's movie is a hilarious and at times touching account of friendships and loyalty.
The director and his mates who make up most of the cast clearly are enjoying themselves here. This comes across in some shining performances, in particular from ex-footballer Vinnie Jones Big Chris and an over-the-top Vas Blackwood as Rory Breaker , who very nearly steals the show.
Full of quirky vernacular and clever tension-packed action sequences, Lock, Stock and Two Smoking Barrels is a triumph--a perfect blend of intelligence, humor, and suspense.
IMDB: 8. Eddie: They're armed. Soap: Armed, armed with what? Nick the Greek: I'll need a sample. Tom: Ahh, no can do I'm afraid.
Tom: Look, it's all completely chicken soup. Nick the Greek: It's what? Tom: It's kosher. As Christmas.
Big Chris: It's been emotional. Winston: Charles, get the rifle out. Soap: OY! Keep your fingers out of my soup! Gary: Shotguns?
What, like guns that fire shot? Winston: Charles,why have we got that cage? Charles: Uh,security. Charles: Well I would've used it but this is Willie and Willie lives here.
Willie: Chill Winston, it's me. Charlie knows it's me. What's the problem? Willie: That's Gloria. Winston: Yes I know that's Gloria, what's that? Willie: Fertilizer.
Willie: We need fertilizer Winston. Willie: What do you mean? Plank: Ah! Can everyone stop gettin' shot? Soap: I'd take a pain in the arse for half a million quid.
Tom: You'd take a pain in the arse for air miles. Soap: Tom, the fatter you get, the sadder you get. Eddie: Will you two stop flirting for a minute?
Eddie: Where did they get those outfits? Soap: Rory Breaker? That psychotic black dwarf with an Afro? Tom: That would be the same man, yes. Nick the Greek: What else does it come with?
Tom: It comes with a gold-plated Rolls Royce, as long as you pay for it. Nick the Greek: Dunno. Seems expensive. Nick the Greek: Alright alright, keep your Alans on!
Nick the Greek: Here's a ton. Tom: Eddie: You could choke a dozen donkeys on that! Nick the Greek: pound is still pound.
Eddie: Did you say ten pound? Bacon: Are you deaf? Eddie: That's a bargain. I'll take one. Eddie: Bacon, cozzers!
Bacon: Shit. Rory Breaker: What did you shoot him with, an air rifle? Winston: Look, we grow weed. We're not mercenaries.
Rory Breaker: You don't say. Tom: Soap, I don't know which is scarier. The job or your past. Eddie: Yeah. You must be Harry. Sorry, didn't know your father.
Eddie: Soap, don't be such a mincer. Rory Breaker: Your stupidity may be your one saving grace. Nick the Greek: Uuugh? Rory Breaker: Don't "uuugh" me, Greek boy!
Soap: Can we lock up and get drunk now? Tom: Rory Breaker? Gary: So who's the gov'? Who we doing this for? Rory Breaker: Is that so, mister botanical?
Big Chris: I've got some bad news for you, John. Big Chris: Mind your language in front of the boy! John: Jesus Christ! Big Chris: That includes blasphemy as well!
Soap: A little bit of pain never hurt anybody, if you know what I mean. Don: I'll fold. Phil: Fold? Is that the only word you learnt at school?
Don: No, I also learned the word cunt! Bacon: What's that? Bacon: This is a pub! Tom: They lack any kind of criminal credibility.
I might get laughed at. Mickey: It's me bren gun. Dog: Couldn't you have thought of something more practical? Barry the Baptist: Hello son, would you like a lolly?
Little Chris: Piss off, you nonce! Paul: Come take a look at this. Traffic Warden: Take a look at what, exactly? So all I have to do is fill it up, put you in it, Paul: and I'm off.
Barry the Baptist: [turns around from stripper] Right, where was we? Well, like guns that fire shots? Dean: Like what? Barry the Baptist: Like fucking antiques.
We rob post offices … Gary: … and steal cars. Dean: What the fuck do we know about antiques, mate? Gary: So who's the Guv?
Gary: I hate these fucking southern fairies. Security 1: [upon seeing Eddie and friends] Invitations.
Eddie: Invitations? Eddie: Samoan Jo's, you mean the pub? Hold on … Security 2: [interrupting Eddie] Hold on to your fucking tongue, and I will hold on to my patience, okay, sonny?
Barman: It's a cocktail. You asked for a cocktail. Barman: You want a pint, go to the pub. Bacon: I thought this was a pub! Barman: It's a Samoan pub.
Don: Fold. Is that the only word they taught you at school, Donald? Don: No, Phil. They also taught me the word "cunt"! Bacon: The odds are a hundred to one.
All we need is five grand. Dean: There we no others. Barry the Baptist: Stop fucking around. The others, the old ones? Dean: I don't know what you mean.
Barry the Baptist: There were two old guns there. Where're they now? Barry the Baptist: Well you better un-sell 'em, sharpish.
Dean: We had to sell 'em, we needed the money! Alright, Barry. Calm down. We'll get them, alright? Barry the Baptist: Now fuck off, you scouse cunts!
And they're armed … Soap: What was that? What do you mean, armed? Armed with what? Eddie: Soap, stop being such a mincer.
I've thought about that, and … Soap: And what, exactly? Eddie: And, all we have to do is find out who's carrying them.
Tom: It's the mother of all fuck-ups, stupid. Nick the Greek: Weed? Nick the Greek: Doesn't sound very good to me.
Nick the Greek: I know a man, yes. Rory Breaker. Tom: Not that madman with an afro? I don't want anything to do with him. Nick the Greek: You won't have to.
Just get me a sample. Tom: No can do. A place near Katmandu? Tom: Think you're Nick the Greek. Big Chris: He likes your bar.
Big Chris: He wants your bar! Big Chris: Do you want me to draw you a picture? Soap: Have a look at these. Soap: [puts it on] Put them on your head, stupid!
Eddie: [pulls it off him] Christ. Er, yeah, good thinking, Soap, well done. Soap: I brought weapons as well.
Eddie: What do you mean, weapons? Eddie: … I think you need help. Soap: Where'd you get these? A fucking museum? Tom: Nick the Greek. Bacon: How much did you part with?
Tom: for the pair. Plank: [gets hit with an air rifle] Ah! They fucking shot me! Dog: Well, shoot them back! Plank: [shoots wildly] John: Jesus, Plank, couldn't you have got smokeless cartridges?